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Rules of Submission

We encourage the submission of original poetry in English on any theme.

•  No more than four original poems and / or translations.
•  There is no restriction on length.
•  Poems must not be previously published. We welcome simultaneous submissions, but please inform us if your work is accepted elsewhere.
•  We accept submissions by email. Please save your poem in a Word document with filename: YourName_Title.doc; if submitting more than one poem, please save the group within a single Word document with filename: YourName_Multiple.doc

Poetry Press from The Page

"These reviews have a tough tone but a generous outlook, and one of the virtues of reading decades of reviews collected in this manner is that we have the chance to see that [Mary] Dalton does not always review "the usual suspects," but rather, a swath of Canadian poets who have been working hard for years often without accolades or awards. The result is a critical constellation by which outline we can read Dalton as a cultural commentator on national literature, and is the kind of literary constellation that every reviewer should aspire to creating with their own critical oeuvre." Tanis MacDonald Malahat Review

"I’ve hardly yet begun to talk about the intersections I know are possible between prose and poetry, the great interest I—and so many others—have in hybridity." Camille Dungy Triquarterly

"Culture is less a series of peaceable, adjacent neighbourhoods, each inhabited by different art forms, than a jungle in which various animals claim whatever territory is there for the taking. It’s possible that poets can trail along foxlike behind the massive tiger of popular music, occasionally plucking a few choice hairs from its coat both to demonstrate their superiority and to make themselves look a bit tigerish. With Dylan’s Nobel, we saw what happens when the big cat turns around." David Orr NYT

"Chuck Berry’s forceful and witty lyrics are not great poetry in any dimension, but they are hugely memorable, and known to millions by heart because of the way they are embedded in the music, and that music is embedded in our memories and lives. If even 100,000 people could quote Walcott by heart today, that would be surprising." Guardian


Oxford Poetry is published twice a year, and currently edited by Nancy Campbell, Mary Jean Chan and Theophilus Kwek.

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