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Rules of Submission

We encourage the submission of original poetry in English on any theme.

•  No more than four original poems and / or translations.
•  There is no restriction on length.
•  We prefer submissions by email as a Word Document or in the body of the email.
•  Alternatively, our postal address is:

Oxford Poetry
Magdalen College
Oxford, OX1 4AU

•  Typescripts cannot be returned.

We will respond to submissions as soon as possible after the deadline,
1 June 2016.

Poetry Press from The Page

"I don’t think I intend to make the world strange myself (as it already is) but just put feelers out into the ice over the river, which is exciting. Our normal language is not very thick with new thoughts. I refer a lot to angels, as they are poetic bridges we have perhaps concocted to help us explore the before and after of our lives." Medbh McGuckian • Wake Forest

"Elsewhere, and to my mind, more successfully, [Amali] Rodrigo focuses more fully on things as opposed to ideas. ‘Ossuary’, for example begins with a lovely, atmospheric description of the passage of time in the ossuary, ‘One bone fell upon another/ as a loved body deranged,/ femur to humerus, mandible/ to radius, to lie apart from faint/ quakes of loincloth spill, tinsel/ voices gone inside out, as if/ small hands of ash dropped/ through skin into salt longings.’" Ian Pople • Manchester Review

"Popularity and posterity are not synonymous. A select few manage both. Most manage neither. Others manage the former, but not the latter. Pick up a poetry periodical from the early 1960s and you will find W.D. Snodgrass, often bracketed with Philip Larkin. Larkin remains on the shelves of any provincial Waterstones, but you never see someone reading The Führer Bunker in a doctor’s waiting room." Tom Jenks • The Wolf

"Other poems in Loop of Jade make clearer the various forms of power against which [Sarah] Howe hopes to pit the multifarious, illusory space of poetry. Sometimes it is state censorship by the Chinese government, as in the excellent poem ‘Having just broken the water pitcher’, where a dissident blogger “ponders” the subversive possibility of homophonic puns in Chinese characters." Hugh Foley • Oxonian Review


Oxford Poetry is published twice a year, and currently edited by Mika Ross-Southall, Lavinia Singer and Andrew Wynn-Owen.

© Oxford Poetry 2013