“One of the best small magazines in the country.”
Tom Paulin

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Rules of Submission

We encourage the submission of original poetry in English on any theme.

•  No more than four original poems and / or translations.
•  There is no restriction on length.
•  We prefer submissions by email as a Word Document or in the body of the email.
•  Alternatively, our postal address is:

Oxford Poetry
Magdalen College
Oxford, OX1 4AU

•  Typescripts cannot be returned.

We will respond to submissions as soon as possible after the deadline,
1 June 2016.

Poetry Press from The Page

"It is not Turkish Dada, in fact it hardly resembles Dada at all; there is no sense of being released into free play. It is 300 pages of writings concerning “things”, taking various strategies, some bizarre, to locate something like the meaning or essence, or perhaps thingness, of things. Whether it does locate anything like this, or even wants to, is an open question. The “things” are not necessarily objects; in fact any noun seems to qualify: water, stones, golden oriole, roundness, slug, bra, sentences, book, numbers, house… It is perhaps justified to call the pieces “meditations” on these things." Peter Riley Fortnightly Review

"So, as I sat before Galway Kinnell, Ruth Stone, Maxine Kumin, Robert Bly, Gerald Stern, Philip Levine, Jack Gilbert, Lucille Clifton, and Donald Hall on the figurative dirt floors of their respective book-filled huts during the interviews I conducted with them between 2008 and 2011, I learned like a fool that the truths they imparted were unteachable, despite their memorable "music," residing solely within them as unique, original expressions that they had forged in the darkness of their "deep wells." Their wisdom made memorable sense, but it wasn't mine, and yes I was often initially shocked by their answers." Chard deNiord Cortland Review

"It is from this camouflage that the superegoic injunction “learn and enjoy”—as Ian Parker has phrased it in his Psychoanalytic Mythologies—is revealed. Thus it is that we must take the author’s advice, as he discusses production—on which he is an emerging theoretical voice to watch (or rather listen) out for—of capitalist subjectivity through enjoyment, and be wary of enjoyocentrism: “the text ought always to be [read] against the grain of its enjoyment, our own enjoyment often showing not our resistance to the structures of our capitalist society but our complicity within it. The enjoyment therefore is productive of capitalist subjectivity.”" Daniel Pritchard on ALfie Bown The Critical Flame

"Working this way allows the critic to “think less about completed products and more about text in process; less about individual authorship and more about collaboration; less about originality and more about remix….” One such tool may be Text Mechanic, a text manipulator. This simple website can sort lists alphabetically or by line length (in either ascending or descending order); it can reverse the order of the lines or shuffle them; it can add or remove line breaks." Ty Clever The Critical Flame


Oxford Poetry is published twice a year, and currently edited by Mika Ross-Southall, Lavinia Singer and Andrew Wynn-Owen.

© Oxford Poetry 2013