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Poetry Press
"And that is Strand’s characteristic jest, to start singing when about to be cut-off." Donald Brown on Mark Strand • Quarterly Conversation
"Carson consent[s] to love's absolute dare and . . . displaces herself from the centre of the writing." James Pollock on Anne Carson • Contemporary Poetry Review
"The day I visited Wheeler Hall, Gunn was lecturing on Fulke Greville." Joshua Weiner on Thom Gunn and Fulke Greville • Ploughshares
"Our words seem to us to resonate in a present moment more present than those we normally live. Comparable with moments of making love, of facing imminent danger, of taking an irrevocable decision, of dancing a tango." John Berger on Mahmoud Darwish • Threepenny Review
"Perhaps after years of testing the edges of his mind, stringing out his voice and stretching it to encompass others’, [Bin] Ramke now feels he can incorporate more of the character of other voices with fewer of their words." Craig Morgan Teicher • Boston Review
"Work in the middle space by now should have added up to an important and fruitful development in contemporary poetry." Michael Theune on Kent Johnston • Pleiades (PDF)
"[Heather McHugh's] poems about these subjects, and many others, offer a refreshing return to—and reinvention of—staple poetic devices like wit and metaphysical speculation." Stephen Ross • The Oxonian Review
from ThePage
"The more good poetry I read, the further I learn I am behind. To have written one lyric as good as Jonson's 'Slow, slow, fresh fount...' That would be something" Christopher Logue in Oxford Poetry IX.2