Published by Blackwell's 47pp
edited by Martin Starkie, Roy Macnab
with Introduction by Lord David Cecil.
Unique among Blackwell's editions in having a biographical index, revealing that of the 23 contributors 12 had served as officers in the war, and 2 as sergeants. Showing its mixed blood, so to speak, in being the old Blackwell's-style volume allied with the two OP pamphlets of 1946, this volume bears a heraldic cover device divided as the Oxford University crest on the left and a hand and star of David on the right. Whatever this signified, it did not appear again. Lord David Cecil, who seldom missed an opportunity to pose as an aesthete, praised the earlier look of OP in terms reminiscent of the celebrated blue lily vase which was the only adornment of Oscar Wilde's undergraduate rooms at Magdalen: "Within its elegant blue and white covers the successive literary fashions lie enshrined, ready for the future historian to examine." (It was for examining and failing the graduate degree of Kingsley Amis, editor two years later, that he was much maligned in the latter's Memoirs.)
Contents
Lord David Cecil: Introduction;
Ian Bancroft: Bridge on the Orne, 1944; Funeral;
Arthur Boyars: Contemporary Manners;
M. L. Burchnall: Future;
Guy Butler: Winter Solstice; Syrian Spring;
H. T. Corke: Byron;
Ian Davie: A Prologue;
Ann Davis: Bestiary; Sweet Helen;
Hugh Fletcher: June 6th, 1944;
Hilary Froomberg: The Carol of the Peacock and the Pelican;
Patrick Gardiner: Napoleon at St. Helena; Tennyson;
Roger Lancelyn Green: Fairy Song from "Thomas of Erildoune";
J. D. James: To the Virgins to make much of Time;
Derek Jewell: Humoresque;
Francis King: From a Greek Frieze; The Harp;
Michael Lloyd: The Birds; To Poins;
Roy Macnab: Blind Kings; The Lost Minister (In Memory of Lord Aberdeen);
Michael Meyer: Christ Church Meadows at Martinmas;
Kenneth Robinson: Occupation;
Gordon Swaine: Turgeniev; In Memory of Mistress Katharine Ryche;
John Wain: What are the Woes?;
Philip Warner: Mobility; Novitiate;
Terence Walton: For Ariadne; A Poet at Thirty (from the French of Jean Cocteau);
Jean Cocteau: A Poet at Thirty [translated Terence Walton];
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Alphabetical List of Contributors
1910-23 Fairie to the Somme
- 1910-13 GH Crow, G Dennis, S Vines
- 1914 GH Crow, S Vines
- 1915 GH Crow, TW Earp
- 1916 WR Childe, TW Earp, Aldous Huxley
- 1917 WR Childe, TW Earp, Dorothy L Sayers
- 1918 TW Earp, E Geach, Dorothy L Sayers
- 1919 TW Earp, DL Sayers, Siegfried Sassoon
- 1920 Vera Brittain, CHB Kitchin, Alan Porter
- 1921 A Porter, Richard Hughes, Robert Graves
- 1922 no editors cited
- 1923 David Cleghorn Thomson, F W Bateson
1924-32 Into the Waste Land
- 1924 Harold Acton, Peter Quennell
- 1925 Patrick Monkhouse, Charles Plumb
- 1926 Charles Plumb, WH Auden
- 1927 WH Auden, Cecil Day-Lewis
- 1928 Clere Parsons, Basil Blackwell
- 1929 Louis MacNeice, Stephen Spender
- 1930 Stephen Spender, Bernard Spencer
- 1931 Bernard Spencer, Richard Goodman
- 1932 Richard Goodman
1936-37 New Age
1942-52 War and Movement
1953-60 The Fantasy
1970 "Fortnightly"
1983-89 Magazine
- I.1 Mick Imlah, Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.2 Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.3 N Jenkins, Bernard O'Donoghue, Peter McDonald, E Paschen
- II.1 Mark Ford, N Jenkins, John Lanchester, E Paschen
- II.2 Mark Ford, Elise Paschen, Mark Wormald
- II.3 Elise Paschen, Mark Wormald
- III.1 M Wormald, Sarah Dence, Bernard O'Donoghue, Janice Whitten
- III.2 Mark Wormald
- III.3 Mark Wormald
- IV.1 Mark Wormald
- IV.2 Mark Wormald
- IV.3 Mark Wormald
1989-95 Fin de siècle
- V.1 Mark Wormald
- V.2 Mark Wormald
- V.3 Mark Wormald
- VI.1 Mark Wormald
- VI.2 Mark Wormald
- VI.3 Sinead Garrigan, Kate Reeves, Mark Wormald
- VII.1 Sinead Garrigan, Kate Reeves
- VII.2 Sinead Garrigan, Kate Reeves, Ian Sansom
- VII.3 Sinead Garrigan, Ian Sansom
- VIII.1 Sinead Garrigan, Ian Sansom
- VIII.2 Sinead Garrigan, Sam Leith
- VIII.3 Sinead Garrigan, Sam Leith
- IX.1 Sinead Garrigan, Sam Leith
- IX.2 Sinead Garrigan, Sam Leith
1998- Rebound
Appendices
"Through about seventy lines Mr Auden continues to show his inability to appreciate the meaning of words" Isis review of Oxford Poetry 1926