Published by Blackwell's viii+60pp
edited by A. W. Sandford with Alan Rook
with Introduction
"Oxford Poetry is dead. After four barren years this is a resurrection, perhaps even a renascence..." For two volumes the word "New" appeared on spine and title page, while the text was printed in a font owing more than a little to Times New Roman, Stanley Morison's radically modernist font for "The Times" (1932). Nothing had actually changed.
Contents
Kenneth Allott: The Albatross;
C. Balankura: Nirvana (from the Siamese of the same author);
J. E. Banbury: Lovers' Idyll; Record;
James Batley: Sea-Gull;
Norman Bradshaw, as N. Bradshaw: We have lusted;
S. B. Carter: On a Statue; Octave; 1934; War Memorial;
John Dunlop, as J. D. Dunlop: Early Dawn; London Winter; Ten Lines; Death;
Peter Dwyer: Street Scene; Of Beauty;
Paul Engle: Poem I ("Let no longer"); Poem II ("Yet who am I");
Henry Gifford: XXIX ("In the transparent hour, after rain's ceasing"); XXXII ("Peace, -the sombre eddy, -a wavering weed");
David Graham: The Two Ships; A Nun; Men as Trees Walking;
Benson Herbert: Sensation on Stalling an Aeroplane;
P. J. F. Howarth: The Year's Harvest; Fortune;
T. Marriner: Olympia;
Philip Martin: Prologue to a Drama; Sonnet;
John Maxwell: Poem ("Love him as nearly as you can"); The Song of the Silver Princess; On a Photograph;
Michael Nathan: Ode to Opium; Prayers; A Man in Winter;
Rufus Noel-Buxton: Final Fugue; Night;
E. F. Oliver: Song ("I would not be withdrawn"); Lover of England;
Jayanta Padmanátha: Wind and Moon; Come back;
Antony Palmer, as J. A. St J. Palmer: Snowpeace; Snowthought; Poem ("Sometimes I am of midnight mood");
Margaret E. Rhodes: Haunted;
Alan Rook: Day, O My Day; Poem ("Have I brought Joy, to slay her at his feet?");
Alistair Sandford, as A. W. Sandford: Introduction; The Martyrs; We Dying; From "The Caliph"; Exhortation to Youth;
Michael Sheldon: Grass in the Streets; Evensong; Magdalen Cloisters;
John Short: Carol; Six Ladder-Steps for Lent;
Margaret Stanley-Wrench, as M. Stanley-Wrench: Song ("There was a scholar as wise");
Search
Alphabetical List of Contributors
1910-23 Fairie to the Somme
- 1910-13 GH Crow, G Dennis, S Vines
- 1914 GH Crow, S Vines
- 1915 GH Crow, TW Earp
- 1916 WR Childe, TW Earp, Aldous Huxley
- 1917 WR Childe, TW Earp, Dorothy L Sayers
- 1918 TW Earp, E Geach, Dorothy L Sayers
- 1919 TW Earp, DL Sayers, Siegfried Sassoon
- 1920 Vera Brittain, CHB Kitchin, Alan Porter
- 1921 A Porter, Richard Hughes, Robert Graves
- 1922 no editors cited
- 1923 David Cleghorn Thomson, F W Bateson
1924-32 Into the Waste Land
- 1924 Harold Acton, Peter Quennell
- 1925 Patrick Monkhouse, Charles Plumb
- 1926 Charles Plumb, WH Auden
- 1927 WH Auden, Cecil Day-Lewis
- 1928 Clere Parsons, Basil Blackwell
- 1929 Louis MacNeice, Stephen Spender
- 1930 Stephen Spender, Bernard Spencer
- 1931 Bernard Spencer, Richard Goodman
- 1932 Richard Goodman
1936-37 New Age
1942-52 War and Movement
1953-60 The Fantasy
1970 "Fortnightly"
1983-89 Magazine
- I.1 Mick Imlah, Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.2 Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.3 N Jenkins, Bernard O'Donoghue, Peter McDonald, E Paschen
- II.1 Mark Ford, N Jenkins, John Lanchester, E Paschen
- II.2 Mark Ford, Elise Paschen, Mark Wormald
- II.3 Elise Paschen, Mark Wormald
- III.1 M Wormald, Sarah Dence, Bernard O'Donoghue, Janice Whitten
- III.2 Mark Wormald
- III.3 Mark Wormald
- IV.1 Mark Wormald
- IV.2 Mark Wormald
- IV.3 Mark Wormald
1989-95 Fin de siècle
- V.1 Mark Wormald
- V.2 Mark Wormald
- V.3 Mark Wormald
- VI.1 Mark Wormald
- VI.2 Mark Wormald
- VI.3 Sinead Garrigan, Kate Reeves, Mark Wormald
- VII.1 Sinead Garrigan, Kate Reeves
- VII.2 Sinead Garrigan, Kate Reeves, Ian Sansom
- VII.3 Sinead Garrigan, Ian Sansom
- VIII.1 Sinead Garrigan, Ian Sansom
- VIII.2 Sinead Garrigan, Sam Leith
- VIII.3 Sinead Garrigan, Sam Leith
- IX.1 Sinead Garrigan, Sam Leith
- IX.2 Sinead Garrigan, Sam Leith
1998- Rebound
Appendices
"Through about seventy lines Mr Auden continues to show his inability to appreciate the meaning of words" Isis review of Oxford Poetry 1926