Published by Blackwell's viii+52pp
edited by Harold Acton, Peter Quennell
no preface
Acton's "Memoirs of an Aesthete" record that he looked at OP 1923's verse and found it "almost as lifeless as that of the Georgian Poetry gang ... short-lists of uncouth bird's names set to rhyme or ale-house glee songs composed clandestinely by temperance workers". Nevertheless he sought to recruit his senior, the more orthodox Peter Quennell, as his co-editor, partly from admiration and partly because Quennell was thought Oxford's best young poet and thus could not be omitted. "Strenuous perseverance" was required, "for the mere idea of connecting his name with the effusions of undergraduates made him shudder to the marrow... The new school [i.e. post-Eliot], which had all my sympathy, was as distasteful to him as the Georgians were to me. He was constantly threatening to resign... Fortunately Peter's attention became distracted by an affair of gallantry before we went to press"-i.e. he was expelled from the University for a term when caught having a sexual relationship with a woman in Maidenhead, an affair Quennell describes rather movingly in his memoirs "The Marble Foot"-"and this enabled me [Acton] to smuggle a few more poems past the barrier." Thus by accident Acton and Quennell secured the approval of reviewers, pleased that "they have not taken the icing off the top of the cake; they have given us a complete cross-section of it" (Cherwell).
Contents
Harold Acton: Lament for Adonis; Words; Trépak;
H. S. Barnes: In Church;
T. O. Beachcraft: The Lapidary; The Shower;
Geoffrey Curtis: Stoop, and keep close the moment;
C. I. Frazer: War;
Graham Greene: Paint and Wood; Childishness;
Michael Hankinson: No wanton loveliness...;
Desmond Harmsworth: Day; Smoke goeth up; The Leaves;
Dorothy Alexander Heinlein: Elegy;
Brian Howard: Scenic Railway; Panorama seen by the young American woman sleeping;
E. T. Jones: To the Monks of a Monastery in Italy;
John Linnell: Spring Solitude; Sonnets;
Joseph Gordon Macleod: Spring;
D. S. Maw: In Dismal Winter; My Room-the Desk and Chair;
Franklin McDuffee: Song; This Hour;
Peter Quennell: Leviathan; Meander I; Meander II;
R. Robinson: Such and Such; The Uses of Poetry; A Man would Rejoice...;
A. L. Rowse: The Shadow on the Glass;
Eric Schroeder: Condensation of an Opera;
Royall Snow: The Adventurer;
James Sutherland: Mot Quad, Oxford;
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Alphabetical List of Contributors
1910-23 Fairie to the Somme
- 1910-13 GH Crow, G Dennis, S Vines
- 1914 GH Crow, S Vines
- 1915 GH Crow, TW Earp
- 1916 WR Childe, TW Earp, Aldous Huxley
- 1917 WR Childe, TW Earp, Dorothy L Sayers
- 1918 TW Earp, E Geach, Dorothy L Sayers
- 1919 TW Earp, DL Sayers, Siegfried Sassoon
- 1920 Vera Brittain, CHB Kitchin, Alan Porter
- 1921 A Porter, Richard Hughes, Robert Graves
- 1922 no editors cited
- 1923 David Cleghorn Thomson, F W Bateson
1924-32 Into the Waste Land
- 1924 Harold Acton, Peter Quennell
- 1925 Patrick Monkhouse, Charles Plumb
- 1926 Charles Plumb, WH Auden
- 1927 WH Auden, Cecil Day-Lewis
- 1928 Clere Parsons, Basil Blackwell
- 1929 Louis MacNeice, Stephen Spender
- 1930 Stephen Spender, Bernard Spencer
- 1931 Bernard Spencer, Richard Goodman
- 1932 Richard Goodman
1936-37 New Age
1942-52 War and Movement
1953-60 The Fantasy
1970 "Fortnightly"
1983-89 Magazine
- I.1 Mick Imlah, Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.2 Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.3 N Jenkins, Bernard O'Donoghue, Peter McDonald, E Paschen
- II.1 Mark Ford, N Jenkins, John Lanchester, E Paschen
- II.2 Mark Ford, Elise Paschen, Mark Wormald
- II.3 Elise Paschen, Mark Wormald
- III.1 M Wormald, Sarah Dence, Bernard O'Donoghue, Janice Whitten
- III.2 Mark Wormald
- III.3 Mark Wormald
- IV.1 Mark Wormald
- IV.2 Mark Wormald
- IV.3 Mark Wormald
1989-95 Fin de siècle
- V.1 Mark Wormald
- V.2 Mark Wormald
- V.3 Mark Wormald
- VI.1 Mark Wormald
- VI.2 Mark Wormald
- VI.3 Sinead Garrigan, Kate Reeves, Mark Wormald
- VII.1 Sinead Garrigan, Kate Reeves
- VII.2 Sinead Garrigan, Kate Reeves, Ian Sansom
- VII.3 Sinead Garrigan, Ian Sansom
- VIII.1 Sinead Garrigan, Ian Sansom
- VIII.2 Sinead Garrigan, Sam Leith
- VIII.3 Sinead Garrigan, Sam Leith
- IX.1 Sinead Garrigan, Sam Leith
- IX.2 Sinead Garrigan, Sam Leith
1998- Rebound
Appendices
"Through about seventy lines Mr Auden continues to show his inability to appreciate the meaning of words" Isis review of Oxford Poetry 1926