Kim Taplin
II.3: From Muniments: VIII: RUISLIP, in the LONDON BOROUGH OF HILLINGDON
Barry Taylor
1960: Staying in the City; Not Aloud; The Cynic; Socialist
James L. Taylor
1970:No 2: Passing in the Dark
John Taylor
1948: The Exile; Modern Love
John Richmond Theobald
1926: Apotheosis
1927, as J. R. Theobald: Man Commanding; Invocation of Daybreak to the Rising Poets
Donald Thomas
1959: The Procession
Edward Thomas
1960: The Clearness of Morning; Only the warm, high-headed lover knows
Kate Thomas
VI.2: "It's to do with orientation"; Entertainment; "We come wrapped"
Michael Thomas
VI.2: Dungraftin
N. S. Thompson
III.1: Judge's report on the Cavalcanti Translation Competition
IV.2: Transference, 1966
X.1: Accident After Essence; Amor Scientiae; The Latch-Key Kids
X.1: Qualities of Light: a review by Robert Macfarlane of "The Home Front" by N. S. Thompson
X.3: The [American] New Formalism: revolt or reaction? An appraisal of its aims and dangers
X.3: A Street (translation from Andrea Gibellini); from Southern Dawn (translation from Pier Paolo Pasolini)
XI.3: The Abyss; Uncovering; Elegy for Snow and Love (translations from Vilma de Gasperin); review of Gerry Cambridge's 'Madame Fi-Fi's Farewell and Other Poems'
David Cleghorn Thomson (editor 1923)
Not the Cambridge historian David Thomson; rather, the Scottish political playwright of the 1930s.
1922, as D. C. Thompson: The Crabs; At Lonnin Garth by Portinscale
1923: The Visitation; Past and Future; The Trough; The Rune; The Incense Burner
Anthony Thorne
1927: The Arabian Nights; Sera Libertas
1928: Sonnet
Adam Thorpe
II.3: Childhood Jigsaw; Drama Workshop, Avebury; The Tree Nursery; The Collection (Berkshire County Council Refuse Department)
III.2: Diary (Plymouth, New England, 1621)
V.1: Persia
V.2: The Age of Anxiety: an Interview by Mark Wormald(2)
Anthony Thwaite (editor 1954)
1953: The Fallen City; Landscapes; Music by Water; Requiem
1954: OEdipus; Delilah to Samson; Contra Artem Amoris; The Fabulous Animal
1955: The Gift; Explanation for Some; Aubrey's Brief Lives; The Silent Woman
Arthur Tillotson
1932: Spring Equinox
Geoffrey Tillotson
1927: The Goat
1928: The Nude Wordsworth; A Canary Travelling Passenger; Song
Jonathan Timbers
VI.3: Heat
Hsien Min Toh
XI.1: The Freight Office in Hatyai Station
J. R. R. Tolkien (OCEL)
Philologist. Writing about goblins does not, in fact, distinguish the future author of "The Lord of the Rings" from other contributors of the period; fairie poems were all too popular.
1915: Goblin Feet
Ron Tomkins
X.1: The Commandant's Story
J. Edmund Tracey
1948: Recollection
Jonathan Treitel
IV.3: Bricklaying For You
V.2: The Rooves of Tsukuba
R. Trevor
1932: Maizefield
Tim Turner
VI.1: Hope ['An Die Hofnung', translated with Martyn Crucefix from Friedrich Hölderlin: winner of the Translation Competition]
Bill Tydeman
1960: Village Wedding; Song
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Alphabetical List of Contributors
1910-23 Fairie to the Somme
- 1910-13 GH Crow, G Dennis, S Vines
- 1914 GH Crow, S Vines
- 1915 GH Crow, TW Earp
- 1916 WR Childe, TW Earp, Aldous Huxley
- 1917 WR Childe, TW Earp, Dorothy L Sayers
- 1918 TW Earp, E Geach, Dorothy L Sayers
- 1919 TW Earp, DL Sayers, Siegfried Sassoon
- 1920 Vera Brittain, CHB Kitchin, Alan Porter
- 1921 A Porter, Richard Hughes, Robert Graves
- 1922 no editors cited
- 1923 David Cleghorn Thomson, F W Bateson
1924-32 Into the Waste Land
- 1924 Harold Acton, Peter Quennell
- 1925 Patrick Monkhouse, Charles Plumb
- 1926 Charles Plumb, WH Auden
- 1927 WH Auden, Cecil Day-Lewis
- 1928 Clere Parsons, Basil Blackwell
- 1929 Louis MacNeice, Stephen Spender
- 1930 Stephen Spender, Bernard Spencer
- 1931 Bernard Spencer, Richard Goodman
- 1932 Richard Goodman
1936-37 New Age
1942-52 War and Movement
1953-60 The Fantasy
1970 "Fortnightly"
1983-89 Magazine
- I.1 Mick Imlah, Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.2 Nicholas Jenkins, Elise Paschen, Nicola Richards
- I.3 N Jenkins, Bernard O'Donoghue, Peter McDonald, E Paschen
- II.1 Mark Ford, N Jenkins, John Lanchester, E Paschen
- II.2 Mark Ford, Elise Paschen, Mark Wormald
- II.3 Elise Paschen, Mark Wormald
- III.1 M Wormald, Sarah Dence, Bernard O'Donoghue, Janice Whitten
- III.2 Mark Wormald
- III.3 Mark Wormald
- IV.1 Mark Wormald
- IV.2 Mark Wormald
- IV.3 Mark Wormald
1989-95 Fin de siècle
- V.1 Mark Wormald
- V.2 Mark Wormald
- V.3 Mark Wormald
- VI.1 Mark Wormald
- VI.2 Mark Wormald
- VI.3 Sinead Garrigan, Kate Reeves, Mark Wormald
- VII.1 Sinead Garrigan, Kate Reeves
- VII.2 Sinead Garrigan, Kate Reeves, Ian Sansom
- VII.3 Sinead Garrigan, Ian Sansom
- VIII.1 Sinead Garrigan, Ian Sansom
- VIII.2 Sinead Garrigan, Sam Leith
- VIII.3 Sinead Garrigan, Sam Leith
- IX.1 Sinead Garrigan, Sam Leith
- IX.2 Sinead Garrigan, Sam Leith
1998- Rebound
Appendices
"Through about seventy lines Mr Auden continues to show his inability to appreciate the meaning of words" Isis review of Oxford Poetry 1926