Terry Eagleton
I.3: Interview by Paul Hamilton
IX.2: Critic Laureate? A review of "The Redress of Poetry" by Seamus Heaney

T. W. Earp (editor 1915, 1916, 1917, 1918, 1919)
Art critic of the 1930s; writer on Augustus John and van Gogh.
1914: Anthony Heywood; London Annie in the Hopfields; Oxford from Boar's Hill; When You are Dead
1915: Ecstasy; The Crowd; Love-Poem; Notts; Cranes; Departure
1916: The Caliph Walks; The Glass of Water; In Broceliande
1917: The Canal; Solitude
1918: Our Lady of Light

Malcolm Easton
1932: Kensington Interior; Ladbroke Grove; Wind and Roses; The Wardrobe; Jours filés d'or

Will Eaves
VI.3: A View Of The City

B. Edwards
1919: The Man Who Has Forgotten Time; In a Canoe (Oxford)

Michael Edwards
VI.3: Judge's report on the Yves Bonnefoy Translation Competition

Alistair Elliot
1953: The Old Blind Man; Some Talk to You of Her; Epidaurus, 1952; Poem; Words with no Music
1954: Error in the Dark; Metaphysic of a Love
1955: Liturgy for a Bedlamite; This Morning's Song; The Dancer's Song
X.2: Palm of the Hand (translation of "Handinneres" by Rainer Maria Rilke); Abishag (translation of "Abisag" by Rainer Maria Rilke)
X.3: Visions (translation from Umberto Fiori); Chin (translation from Umberto Fiori); Tight Places (translation from Umberto Fiori)

Yandell Elliot
1923: Freight; Fire Bull; Such Flame is Life...; The Puritan Lover; Another Day; The Quest of the Fugitive

Steve Ellis
I.2: Virgil (after Pound): Messina, 21 BC

U. Ellis-Fermor
1917: Sed Miles...

Richard Ellmann
II.3: Interview by Nicholas Jenkins and Elise Paschen
VI.1: Great Effusions: 'James Joyce: Poems and Shorter Writings' ed. Richard Ellmann, A. Walter Litz and John Whittier-Ferguson, reviewed by Bernard O'Donoghue

Florence Elon
V.3: Instructions for Identifying the Body

Rebecca Elson
VI.2: Constellations

Godfrey Elton
Historian of robustly old-fashioned views; in the 1930s, made Lord Elton by Ramsay MacDonald, whose son he had taught, leading Lewis Namier to the celebrated comment that "In the eighteenth-century peers made their tutors under-secretaries; in the twentieth under-secretaries make their tutors peers." Elton's poems contrast Sandhurst with far-flung corners of the British Empire: serving as a Captain, he was taken prisoner at the siege of Kut-el-Amara, April 1916, and so survived the war but ceased to contribute to OP.
1910-1913: Ulysses; Retrospect; Respite; School-Days; News
1914: Lvgate Veneres; Aristotle and You; For a Birthday; Space; The New Prophet
1915: Six Poems written in Foreign Countries. I. Quetta, 1915. II. Mediterranean Sea, 1914. III. Mediterranean Sea, 1914. IV. Quetta, 1915. V. Quetta, 1915. VI. Chasma Tanga, Baluchistan, 1915.

Paul Eluard
X.1: Felicity, simplicity: translating the young Eluard [article by Toby Garfitt]

Christopher Emery
IX.2: Feathers

Paul Engle (OCTCP)
American formalist poet; creator of the Iowa Writers' Workshop, the prototype of US campus creative writing programmes.
1936: Poem I ("Let no longer"); Poem II ("Yet who am I")

D. J. Enright
I.3: Judge of Rilke Translation Competition

Maurice Epstein
1922: The Way

Robert Etty
V.2: Country Cemetery

Euripides
XI.3: Hippolytus: First Choral Ode (translated by Anne Carson)

Joan Evans
1917: The Hamadryad

H. J. Eveling
1954: Sermon, Cumbrian Style

Alan Evison
1970:No 1: A Poem ("Only by the coupling of movement")

Gavin Ewart
I.1: Interview; I.M. Anthony Blunt ob. March 26, 1983: Portsea Hall, Paddington; A Possible Updated Football Conceit of John Donne; Embarrassing Televised Incident in Latin American Dictatorship, 1983
II.2: Blow-out [translation from Guillaume Apollinaire, winning entry in Translation Competition]
III.1: Three of the Songs and Sonnets of Ruperta Bear (1. Death and the Child; 2. Oral Love Song; 3. Every Word Counts)